Your whole imaging department, running in the time it takes to read this.
Tell us your call letters, your format and what you want to say. Minutes later you have three finished, mastered options — voiced, bedded, SFX'd and cut to the exact length your automation expects.
- Produced, not a dry read: beds, SFX and a real mix on every cut
- Lengths hit to within a tenth of a second, every time
- BWF with cart chunk — drops straight into your automation
- Any language your audience speaks, written natively, not translated
Free trial. No card to start. Cancel any time.
Anyone can rent a voice model. Nobody else produces the cut.
A synthetic voice alone sounds like a synthetic voice. What sells a station is everything that happens after the read — and that is the part we built.
A real mix, not a voiceover
Every cut is ducked, timed and placed: the bed leads the read in, SFX snap to word onsets, and the impact lands on the final syllable. Dry voice never ships.
Exact lengths, or it does not ship
Your automation expects seven seconds, so you get seven seconds. The timeline engine measures the read, fits it, and the length check fails the cut rather than letting it through long.
One station sound, held for years
Your sonic logo is generated once, auditioned, then locked — key, tempo and melody saved. Every cut after that is built around the same sound, whether it is the third or the three hundredth.
It checks itself before you hear it
Every take is transcribed back and compared to the script. Call letters wrong, a gap too long, loudness off target, clipping — it goes back and regenerates, and you are not charged for our mistakes.
Written in the language, not translated into it
Copy is written natively in each language, including how your frequency is actually said out loud and the legal wording your regulator requires.
Lands where you work
48 kHz / 24-bit masters with BWF and cart-chunk metadata — title, category, intro and end-of-message markers already filled in. Or let the desktop agent drop them into your automation folder.
Set it up once. Order in under two minutes after that.
Tell us about the station
Call letters, city of license, format, languages, slogan. Two minutes.
Build your sound kit
Pick your imaging voice, lock a sonic logo, add pronunciations for the names that get mangled.
Order a cut
Type a script, or describe what you want and pick from the options we write.
Audition and approve
Three finished options. Tweak, regenerate a layer, approve the one you want.
Everything a station actually airs
Legal station ID
3–10 seconds
Call letters and city of license, in the exact order your regulator requires.
Branded ID
3–6 seconds
Station name and positioning line, landing on your sonic logo.
Sweeper
4–10 seconds
The song-to-song transition that sells the station.
Liner
5–15 seconds
A talk-over-safe read for song intros and between records.
Sung jingle
3–30 seconds
Your station name sung on your own locked melody.
Stager / bumper
5–20 seconds
Show opens, segment intros and returns from break.
Shotgun / stinger
1–3 seconds
An ultra-short, high-energy hit.
Music bed
15–60 seconds
Loopable instrumental for liners, promos and sponsorships.
Hear what your station could sound like.
Give us your call letters and format. We will produce three sample IDs and send them to you — no card, no commitment.